![]() ![]() The center's mandate was to make the music of its composer members available to potential performers and conductors, and to act as a clearinghouse for the dissemination of information vital to its membership. The American Music Center was founded in 1939 by composers Aaron Copland, Otto Luening, Marion Bauer, Harrison Kerr, and Quincy Porter. The American Music Center was a non-profit organization which aimed to promote the creating, performing, and enjoying of new American music. Music Division, The New York Public Library for the Performing Arts Repository Music Division Access to materials Request an in-person research appointment. Preferred Citation American Music Center collection of published scores, JPB 15-64. Kelly Bucheger has a bunch of great saxophone solos available at his site.Creator American Music Center (New York, N.Y.) Call number JPB 15-64 Physical description 791 linear feet (2623 boxes) Language English Texts are primarily in English, but many of the scores of opera, solo vocal and choral music are in their original language. If you are interested in transcribed trumpet solos, there is a whole lot of them to be found here! Sax solos Thanks to Nick Lariviere, Dave Wilken, and Al Kay for sharing the solo transcriptions! Trumpet solos Laziness is good, especially if it means grabbing your horn within a few seconds. If you, like me, tend to be a little bit lazy once in a while, I have dusted off the Internet and found some great solo transcriptions out there for you. Lots of the phrases were probably stolen by me, but I like to believe I came up with all of it myself… Solos by trombone masters You are welcome to steal all the phrases you like and put them to (better) use. Fun fact: in the above-mentioned jazz etudes, you’ll find tons of my preferred jazz phrases, stuff I play all the time when I improvise. Believe me, I know that to be true ? So start stealing. ![]() This is a great way to build up your jazz vocabulary, and once you played a phrase enough times, you will start thinking that it was your own all the time, and it will be incorporated into your solo playing. Analyze why that phrase got to you, play it in different keys and find spots in other songs where it can be played too. ![]() Find phrases and patterns in the solos you transcribe and give them some extra attention. Like Pablo Picasso said “ good artists borrow, great artists steal”. Start your free trial now and get access to all the jazz solos and jazz etudes for trombone right away – plus more than 2.000 pages of trombone sheet music. Listen carefully to the phrasing, dynamics, and tone of the trombonist you are transcribing. It is probably the best ear-training out there for a jazz musician, and I strongly recommend you get started right away. That lets you get under the skin of the player, and you will gain a deeper understanding of the melodic lines when you have to figure them out on your own. But the real learning is gained when you transcribe solos yourself. Yes, ready-to-go sheet music with trombone solos is great, and I use both my own jazz etudes and other transcribed solos frequently, both when I practice myself and with my students. Here is a list of some of the tunes you will be soloing over:Įvery note in each solo is there for a reason, and they are written especially for a very special instrument – your trombone! Start your free trial now and you’ll find all the solos in the Jazz etudes section. You will find all the solos from my best-selling book “10 Jazz Etudes For Trombone” plus many more. ![]() There are over 100 pages of jazz solos in the member’s section of this site, and more are added regularly. If you signed up for my newsletter, you already got one of them based on Sonny Rollin’s Doxy. They all start easy and the difficulty gradually builds up for each chorus. If you want to play trombone jazz solos, I have written a lot of them based on famous jazz standards. Trombone jazz etudes based on famous jazz standards Both their melodies, phrasing and rhythmical patterns are clear, making it easier for you to catch. If you are new to the world of transcribing jazz solos, I suggest that you start with articulate artists such as J.J. Many times, you will find that what sounds really hip or challenging, is quite logical on the instrument it is played on. Transcribing solos played on your own instrument is smart, even if there might be some technical challenges, you know that it is playable on the instrument. Transcribing jazz trombone players is a good place to start. There is a lot of good music out there that has already been played! As a jazz player, you can take advantage of that and learn from the masters. ![]()
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